without Internet Explorer,
in 1280 x 960 resolution
**Note: This is a review of the 2010 Deluxe Edition**
This has to be the goofiest title of a band ever. Seeing “Black Sabbath featuring Tony Iommi” is like if “The System Has Failed” had the title “Megadeth featuring Dave Mustaine. There is no one else anyone would expect being associated with these groups so I can imagine the bewilderment or laughter when metal connoisseurs saw this record when it first came out. It is understood this was supposed to be an Iommi solo record, but Warner Bros. wanted the Black Sabbath stamp on it. With that fact, this is not your typical Sabbath affair with heavy guitars and doom laden lyrics. It actually has more an eighties feel which works at times and also does not while also showing Iommi’s blues background. The addition of another former Deep Purple singer, Glen Hughes, is welcomed and delivers a great performance. A deluxe edition was made available in 2010 and features a concert from the Hammersmith Odeon in England with Ray Gillen on vocals and it all bundles up as a nice package capturing a tumultuous period in Black Sabbath.
In addition to Hughes, Iommi armed the rest of the band with a couple of young guns in drummer Eric Singer and bassist Dave Spitz as Geezer Butler had enough and Bill Ward could not be found. The combination of the four all lead to this varied selection of songs on “Seventh Star.”
To all the hardened fans that keep a skeptical eye on this product, I urge to remove the veils and take this for what it is. This album is not going to conjure up memories of “Sabotage” or “Heaven and Hell”, but it holds up well in the lengthy and varied Sabbath discography.
“In for the Kill” is quite literally the killer opener with a low riff and Hughes declaring his prey by commanding “Thunder shattered the dawn.” This bit of lyric tingles the senses and I love the way Hughes delivers the lines. In fact, Hughes delivers an awesome performance on this record. The way he laments on “In Memory…” and conjures up images of ancient Egypt in the title track is remarkable and is attention grabbing.
This is all possible because of the other major player and who this record features in the guitar god himself with Iommi. It is hard not to appreciate the riffs on display and the song arrangements leave plenty of room for Hughes to do his magic. The title track stands out as a top song because of the gloomy atmosphere and once the background hymns kick in with the chorus; it never fails to send a shiver up my spine. Iommi lets his blues background shine in “Heart Like a Wheel” and the combo to round out the album in “Angry Heart” and “In Memory…” leave memorable guitar parts. The former also has some acceptable keyboard parts provided by Geoff Nicholls and the build-up of the riff to the vocal lines is impressive. I love the contrast provided as it segues into “In Memory…” with the depressing acoustic guitar and the way Hughes says “It’s still haunting me” really makes the listener feel his pain and regret.
The only clunker is “No Stranger to Love” with its cheesy synths, cheesier lyrics, and sounds very eighties. This has no place on a Sabbath record, Iommi record, or any record for that matter. The guys are much more capable than this. Funny enough, this deluxe edition includes a bonus track of this song presented as an alternate version. The song is worthless in both formats, but the music video is good for a chuckle.
The other songs that resemble the eighties are “Turn to Stone” and “Danger Zone.” They are both straight ahead rockers that some would say have a glam edge, but the songs have some delicious riffs. “Danger Zone” is the stronger song due to some awesome drumming by Singer and complimented by a trademark solo by Iommi. The way the guitar jumps out the riff in the middle is a nice touch added.
“Seventh Star’s” second disc is a concert taken from the Hammersmith Odeon with Gillen on vocals along with Spitz and Singer. Gillen took over for Hughes because of his massive drug problem and he suffered an injury which caused him to not be able to sing very well. This concert is basically a glorified bootleg, so the sound isn’t strong, but it is nice to have Gillen featured on a Sabbath release and the guy has a great voice.
Gillen has the energy and passion of Ronnie James Dio, but he also can conjure up demons and doom like Ozzy Osbourne could. He sounds more natural on the Dio songs as songs like “Mob Rules” and “Neon Knight” seems more suited to his style. However, on the tracks “War Pigs” and “Black Sabbath” he sings with a higher tone because of his wide range, but he makes it work and keep the spirit of the original intact. In fact, his performance on “Black Sabbath” is remarkable because he sounds strangely similar to Osbourne in the beginning and the way his voice changes with a slight growl in when the song picks up shows he can be very diverse.
This extra concert is also a neat extra because you can hear two songs that will most likely not be heard in concert again in “Danger Zone” and “Seventh Star.” They work well in the live setting, especially the latter song. The keyboards are also more prominent in these songs as well as the whole concert.
Black Sabbath was in a time of great change in this period, but it still results in a good album. It is not Iommi’s best, but it has a lot of strong songs to take great enjoyment too. The deluxe edition also has plenty of pictures and the story of how this record came to be. The live concert with Gillen should provide extra incentive to procure this copy. The sound has been improved a little bit, though the bass could have been nudged up, but the sound levels are consistent and retain its balance. This would not the last collaboration between Hughes and Iommi as his guitar playing along with Hughes’ voice are a perfect match. The title on the cover is strange, but any Sabbath fan should take a dive into this album that features Tony Iommi.