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Hey, for '85 you can certainly do a whole lot worse than Prayers of Steel, the only full-length and real output of any degree of note from this largely forgotten pre-Rage permutation. While many will instinctively stack this against Wagner's present heavy metal institution (and rightfully so), a logical continuation can be drawn to the earliest throes of Rage itself, if for anything due to the presence of original axe-slingers Schröder and Meyerratken. There is a clear stylistic bifurcation evident after Execution Guaranteed, primarily thanks to Manni Schmidt's venerable chops. Comparatively, the material with Schröder (including this) is less exultant and hook-driven, instead pushing a more Judas Priest-inspired, clinical breed of speed metal.
In the end, this stacks up fairly respectably next to the debuts of both Running Wild and Grave Digger, which means it can be either raucously fun or a real cringe-inducer depending on the track. Deficiencies revolving around a lack of chops loom large over Wagner's vocal delivery, but I sense a great deal of conviction in his effort here, which is in the end worth a cursory glance from a historical perspective. Really, you have two types of tracks here, the spastic and perfunctory three-minute speedsters, and the more drawn-out, fist raisers that try and summon something of a more soaring, triumphant and epic slant. By and large, Avenger have no qualms about letting the armor piercing rounds fly on numbers like "Battlefield, "Faster Than Hell," and "Adoration," which are vile, grimy German speed metal delivered in a by-the-numbers yet ultimately endearing way.
Others like "Southcross Union" are more drop-down and drag-out in their punishing allure, but are in the end rather forgettable. I respect Schröder's delivery here, but he struggles coming up with consistent and memorable hooks. These deficiencies are set in stone on plodding snoozers like the title track and "Sword Made of Steel," which try broadening the scope and churning the atmospheric cauldron by virtue of patently ludicrous lyrics, but crumble apart due to meager vocal lines and a lack of variety in the riffs. Wagner will occasionally let out a ricocheting wail like the operatic interval that salvages the end of "Southcross Union," but in the end I find myself coming back to this for the endearing ambiance and throwback appeal more than the individual performances themselves.
My favorite track is easily "Adoration," which sounds majestic as all get out opening up and largely delivers for the remainder of the duration. I also find no concern in stacking three or four of these numbers up against the comparative fare from Reign of Fear, which obviously means that fans of early Rage should give Prayers of Steel a cursory listen on these grounds alone. The lyrics may kill it for some people, what with yammering about sharpening swords and evoking The Evil One, so the expected evolution that birthed the broad conceptual spectrum of Rage can be traced all of the way back to these relatively humble origins. This all said, I can definitely recommend this to to fans of the early '80s German scene, a scene so massive it is easy to forget where many of the genre stalwarts began at. Crank Prayers of Steel during this upcoming Halloween, you just might dig it.
I searched for this album long and hard and paid a pretty pennie for it too. Thankfully, it was worth it.
As a big time Rage fan I was excited to hear this album and yet I didn't hold my expectations too high. After all, it was their debut and Rage's "Reign of Fear" was a pretty balls out no frills kick in the pants where if it wasn't done so well it may have sucked. I thought maybe this would turn out to be a crappier "Reign of Fear." To my surprise this turns out to be much more melodic and very well done. Yes, it is simple 80's power/traditional metal but the songwriting is quite good.
The album kicks off with Battlefield and really puts you in the mood for good times. It's a great speedy number with Peavey's vocals belting out the chorus in fine fashion. South Cross Union follows it very nicely with a great NWOBHM style riff and super catchy chorus. "South Cross Union coming straight from Hell!" Yeah! From there the album trucks on with the title track. The main riff is nothing amazing but it's cool and the chorus is catchy and fun with it's cheeseball satanic lyrics. "Give me Evil! Give Me Power! Give me Prayers of Steel!" :lol It also comes with a nice surprise as it busts into a great galloping riff in the middle and ends up really kicking ass. Two more great tracks, Halloween and the upbeat Faster Than Hell, transition nicely into number six, Adoration, which is definitely a highlight as at rips like the best songs of Rage's early years. The chorus kicks ass and you gotta love the pure 80s scream from Peavey after the solo! Great stuff. Rise of The Creature continues with the high standard set so far with another solid chorus but track eight, Sword Made of Steel, turns out to be the only stinker in the bunch. Bloodlust brings us right back to the NWOBHM sound with it's Running Free style bass and drum opening. It's a cool song but it's followed by one of the best Rage/Avenger songs in existence, Assorted by Satan! A great way to close an album, this song is awesome! It's no wonder Peavey would use the main riff and verse melody as inspiration for the future Rage track Firestorm. If you ask me though the track is best left in orginal form as Assorted By Satan is faster and has a superior chorus.
Overall it's a great album and is just about as good as any of the early Rage material, which is saying something. It's definitely better than Execution Gauranteed, which is in similar style, that is for certain. So, it may not be as original as such stellar albums as Perfect Man or Secrets in a Weird World but the great songwriting is still there. Peavy's vocals are actually more controlled here than those early Rage albums too so if that bothered you on those it won't here. Coming along with the Ep Depraved to Black this version comes with two more excellent studio tracks and live versions of Prayers of Steel and Faster Than Hell. Great stuff if you ask me.
Despite all the praise, this still won't be worthy of purchase for most people. It's something for the fans who are willing to part with the cash needed to get a copy because they can be quite expensive. If you can find it for cheap though or are a big Rage fan I'd suggest you pick it up.
Well, they sure got a lot better than this by the time they became RAGE. This is pretty badly done German classic heavy metal. Imagine a far crappier Grave Digger debut. More abstractly, imagine slowing down a speed metal riff until it becomes a really generic and boring heavy metal riff. That's what this album is filled with.
Highlights... well, the faster songs are pretty decent, and Peavy's vocals are in good form. Some of the songs here could almost cut it on Reign of Fear. "Battlefield" for example is a pretty nice opener. "Southcross Union" is also pretty nice, with some decent verses and great soloing. Nice counterpoint riffage to offset "Battlefield". A classic metal cliche: the first song is the fastest, the second has the most groove. No exception here.
After that, thought, the album degenerates very quickly. The title track is very boring - the chorus is awful, and the riffs pretty boring and lacking in variety and crunch.
"Faster than Hell" is decent, even though it is pretty badly executed. It is speed metal, but very very mediocre speed metal. At least it has solid riffage. The worst on here has to be the hyperboring "Sword Made of Steel". In fact, of the last four songs, I can barely remember anything.
Avoid this one. Rage would get MUCH better than this. Get the Grave Digger debut, or some Iron Fucking Angel.