So, computer's been acting up and I missed the Halloween festivities here, here's my complete watch history:
Beneath
This one here had just a never-ending series of problems against it that there's not a whole lot of good points for it. The biggest issue with the film is that the film thinks these kinds of callous, vile humans are worthy of being the center-stage for the actions in here, yet none of them are ever worthy of doing anything more than being cannon fodder for the creature as other, smarter characters fought it off. Relying on bullying, cheating, blackmail and deciding that others where more worthy of living and dumping their friends overboard to die with the creature in the lake with them is perhaps the biggest death-knell to each of these characters, especially since all the while there's more than enough tactics on hand to actually fight it off with a gallant effort without resorting to dumping your friends in with the creature that even thinking of resorting to that tactic is really hard to forgive.
Of course, the fact that there's one who knows the truth about it but decides against telling the others so that he can win the heart of the group's resident slut doesn't do much to favor this either, and the fact that this one tends to focus solely on the group sitting in the canoe arguing with each other tends to make for wholly uneventful programming with nothing interesting happening.
That said, the gore isn't half-bad for the mangled bodies really look like they've been munched on and the creature does have some realistic looks to it since it's kept to a more reasonable size without being too gigantic to live there undetected, and frankly some of the sequences in the later half with the rapidly- drowning boat do get somewhat suspenseful. Overall, though, there's not too much to like here.
Black Water
This here turned out to be quite a lacking killer crocodile feature that really has to look at the main villain to understand the failure. This here has so little action with the croc that there's very few times where it has something going for it, as the film puts them in the water with it so early on but tends to make the more realistic route where it only shows up to attack that the main portion of the film is spent with everyone waiting in the trees for it to leave that it just grows deadly dull waiting for that kill scene or attack to happen and they just spend an eternity not having anything transpire that long which just gets old. As well, the utter lack of preparation for the unlikely event this happened really seems like it's just there to ensure they remain stuck in the situation longer than necessary, and for a film so enamored with realism that this one tries for is a little hard to swallow.
That said, the whole effort to remain wholly realistic for a change is where this gets some positive points in that there's a real sense this could potentially happen as the crocodile is kept to believable actions and motions, the prop for the creature behaves beautifully and looks realistic as well, and the rather ironic sense of cruelty that runs through it provides some decent moments both in terms of kills and character actions. It's more than enough to save some of it but not enough to fix all of the problems.
The Mad Ghoul
This turned out to be quite an enjoyable if flawed effort, mostly through the complete inactivity presented here. Because the main just of the storyline is that he's trying to win his girlfriend over to marry her, a lot of his screen-time is spent running off to find her but never coming out with his feelings once he does find her, making the reason for the journey quite unnecessary when nothing happens and instead it just turns into a tedious drag when it launches into yet another trip around the world as he follows her musical tour with the doctor in tow. Even with his secret romance towards her being as cliched as it ever is, that these scenes here comprise the majority of the middle section of the film means that the main focus has nothing going on despite ample evidence that something fun could happen as the transformation occurs quite early on in the film due to the running-time constraints which just make this all the more obviously dull and dragging. As well, the finale is so rushed and just completely underwhelming that there's a dramatic lack of urgency over the entire affair and making it just seem all the more ludicrous overall as it transpires.
That said, there's still some fun here with the storyline being quite original of utilizing the Mayan nerve gas and the regenerative properties being tied in with actual historical atrocities in a clever bit of retroactive rewriting, and the scenes of him in the laboratory operating on the different subjects early on make for a rather cheesy time with the portrayal of the classic cinematic mad scientist in such films. Several of the murders are quite creepy, and the continued marching off into the cemetery to recover body parts needed for the procedure make for a rather fun time and gets some chilling moments into the effort, and the make-up effects for the transformation look rather nice if pretty cheap overall. While there's problems, it does have some good points about it.
The Witches-
This was quite an enjoyable and exceptionally fun old-school witchcraft horror that had a lot of fun about it. The slow-building mystery about the tribe slowly taking over the village is quite exceptional and just completely overwhelms with it's ability to utilize the Gothic atmosphere of the surroundings, with it's splendid outdoor landscapes, closed-off township and just off-kilter vibe of the residents who are harboring a grave secret in grandest Gothic tradition and making for a generally creepy time as it goes about it's paces.
Though not really doing a whole lot in terms of action, the continuous references to the past troubles with the voodoo cult are just plain eerie and handled well, from the doll and the witch doctor in full costume appearing out of nowhere and the connection to the town as the small things begin piling up one-by-one where it becomes obvious that the whole town is witches. That culminates in the fun, chaotic finale of the interrupted ceremony that includes lavish decorations, a splendid Gothic dungeon and even a sacrifice that nearly comes through to fruition.
All in all, there's a lot to like with this and it's inclusion of witchcraft powers and voodoo sorcery, yet this does tend to take a while to get going and really explore it's story. While it's never boring, a lot of the film is devoted to one of two scenes playing out: her freaking out by something that reminds her of the past battle or witnessing something horrific that no in town believes in since there's no evidence of what she saw, and those tend to repeat themselves throughout until it's all put together and really resolves everything, meaning this has quite a lot of repetition amongst the lack of action which can get old quite quickly. Nonetheless, this has a lot of good qualities to override that.
The Boy Who Cried Werewolf
This here turned out to be quite an enjoyable and entertaining kiddie-centered horror-comedy. There's a lot of good in this about making an even mix between tween-inspired parts and more normal horror motifs, and there's plenty to both sides in here. The tween backbone here is all well-handled with the different attitudes toward the single father dating, the romance for once isn't obtrusive to the story in detriment for the actual horror, and the beginning where they explore the castle is just filled with some quality gags that really showcase the goofier humor present that really appeals to kids. From the gags trying to scare the sister to the constant sibling-like digs on each other and the side-splitting recurring gag with a character's name, there's some really funny stuff in here and it gets better once the transformation occurs. The antics that depict the transformation, from the heightened sense and reactions to the lessening of objection towards previously-objectionable attitudes and how their date goes which is constantly threatened by her burgeoning abilities for some nice laughs but knows to transition into horror territory nicely as once those abilities creep in, the explanation and backstory about the creature amongst the town's history is wonderfully handled.
It makes for a pretty enjoyable time by creating a pretty strong connection through the twisted mythology with the action in the last half which is just non-stop brawling between the two werewolves and the vampire clan through the catacombs under the castle, through the cemetery and finally into the neighboring warehouse providing plenty of fun times as the fight progresses, and overall this is mixed quite nicely with the humorous aspects of the story. The fact that the creatures are done with practical make-up effects that look rather impressive for the realism and great they look in design and movement is another key factor here, and the only real flaws come from the beginnings of their life.
The trouble it goes to set her up as a goofy klutz only to be saved by the werewolf curse is way too clichéd and feels too overwrought to be of much originality. As well, the whole thing is dropped once they get to the castle anyway, leaving the inclusion rather curious. Otherwise, there's not much to dislike here.
The Curse of the Crying Woman
This was a really enjoyable and entertaining effort that gets a lot right. One of the biggest pluses here is the extraordinary Gothic atmosphere at play, where the majority of the film takes place on a multilevel hacienda full of secret passage-ways, cobweb-infested tunnels, staircases into the other levels and so much more here that there's plenty of creepiness to get hooked on before adding in the dungeons full of rotting corpses with mashed-up faces, stringy hair and a loss of general bodily form that look effectively decayed and rotting away with sickly skin and just a look of complete and utter mess, effectively making for a great look here overall when placed into the setting of the house. As well, the look of the swamp where the creature appears is absolutely chilling and really sets off the opening ambush well with it's fog-laden surroundings, feeling of unease and general design that seems to make escape impossible.
When combined with a large amount of action, from an opening ambush in the swamp, the journey through the hidden mirror in the bedroom and the encounter with the reanimated servant all conspire to give this a spectacular feel where it doesn't really slow down the pace at all. The fact that this still features a ton of jump scares is impressive, with images disappearing in front of a mirror and the unaffected still interacting with with real-time person who's not giving a reflection, hands emerging behind unsuspecting victims and even the work in the finale, where three separate brawls break out around the crumbling villa and a mad dash erupts to get out alive.
While all this stuff works well, the fact that the rubber snakes in here look quite lame and really unconvincing, part of the whole special effects work that just looks really cheesy and fake and definitely looks really bad at times but not enough to detract from the more important matters.
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joppek wrote: enigmatech wrote: I don't consider Portal to be a death metal band, because I haven't heard their albums, and I'm not interested in their music i don't consider gordon ramsay to be a chef, because i haven't been to his restaurants, and i'm not interested in his food
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